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THE HOMELY HEROINE
MILLIE WHITCOMB, of the fancy goods and notions, beckoned me with her finger. I had been standing at Kate O'Malley's counter, pretending to admire her new basket-weave suitings, but in reality reveling in her droll account of how, in the train coming up from Chicago, Mrs. Judge Porterfield had worn the negro porter's coat over her chilly shoulders in mistake for her husband's. Kate O'Malley can tell a funny story in a way to make the after-dinner pleasantries of a Washington diplomat sound like the clumsy jests told around the village grocery stove.
"I wanted to tell you that I read that last story of yours," said Millie, sociably, when I had strolled over to her counter, "and I liked it, all but the heroine. She had an 'adorable throat' and hair that 'waved away from her white brow,' and eyes that 'now were blue and now gray.' Say, why don't you write a story about an ugly girl?"
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