to paint them. With a restlessness akin to that which makes a portrait-painter arrange and rearrange his sitter, until he gets the pose which satisfies him, I say to myself, "I wish they would raise their arms above their heads," and at the suggestion all the figures in my vision raise their hands as if in salutation of the dawn. I see other figures in imagination which attract me as compositions. There may be a figure sitting down and I think it would compose better if it was turned in another direction, and that figure will obey my suggestion, not always, but at times it will; and again and again when I who paint almost entirely from what is called imagination, and who never use models, watch a figure in my vision it will change its motions as I will it. Now this is to me amazing. The invention and actual drawing of the intricate pattern of light and shade involved by the lifting of the hands of my imaginary Arabs would be considerable. My brain does not by any swift action foresee in detail the pictorial consequences involved by the lifting of arms, but yet by a single wish, a simple mental suggestion, the intricate changes are made in the figures of imagination as they would
