CHITRAKARO
little rice and a pot of liquor to the home of the paternal aunt. If they are accepted, it is taken as a sign that the match is agreed to, and the jholla tonka (bride-price) of twelve rupees is paid. After some time has elapsed, the bride is conducted to the home of her future husband, and the marriage is there celebrated. A younger brother may marry the widow of an elder brother, and, if such a woman contracts a marriage with some other man, her second husband has to give a cow to the younger brother who has been passed over. The dead are burnt, and death pollution is observed for three days, during which the caste occupation is not carried on. On the third day, the ashes are collected together, and a fowl is killed. The ashes are then buried, or thrown into running water.
Chitrakāra or Chitrakāro. — The Chitrakāros of Ganjam, who are a class of Oriya painters (chitra, painting), are returned in the Census Report, 1901, as a sub-caste of Muchi. In the Mysore Census Report, 1891, the Chitragāras are said to be "also called Bannagāra of the Rāchevar (or Rāju) caste. They are painters, decorators and gilders, and make trunks, palanquins, 'lacquer' toys and wooden images for temples, cars, etc." At Channapatna in Mysore, I interviewed a Telugu Chitrakāra, who was making toys out of the white wood of Wrightia tinctoria. The wood was turned on a primitive lathe, consisting of two steel spikes fixed into two logs of wood on the ground. Seated on the floor in front of his lathe, the artisan chucked the wood between the spikes, and rotated it by means of a bow held in the right hand, whereof the string was passed round the wood. The chisel was held between the sole of the right foot and palm of the left hand. Colours and varnish were applied to the rotating toy with sticks
