on which is depicted the nāmam of Vishnu, fastened to a necklace of black beads, is tied round her neck. She is given by way of insignia a cane as a wand carried in the right hand, and a gopālam or begging basket, which is slung on the left arm. She is then branded with the emblems of the chank andchakra. In another account * [1]of the marriage ceremony among dancing-girls, it is stated that the Bōgams, who are without exception prostitutes, though they are not allowed to marry, go through a marriage ceremony, which is rather a costly one. Sometimes a wealthy Native bears the expense, makes large presents to the bride, and receives her first favours. Where no such opportunity offers itself, a sword or other weapon represents the bridegroom, and an imaginary nuptial ceremony is performed. Should the Bōgam woman have no daughter, she invariably adopts one, usually paying a price for her, the Kaikōla (weaver) caste being the ordinary one from which to take a child.
Among the Kaikōlan musicians of Coimbatore, at least one girl in every family should be set apart for the temple service, and she is instructed in music and dancing. At the tāli-tying ceremony she is decorated with jewels, and made to stand on a heap of paddy (unhusked rice). A folded cloth is held before her by two Dāsis, who also stand on heaps of paddy. The girl catches hold of the cloth, and her dancing master, who is seated behind her, grasping her legs, moves them up and down in time with the music which is played. In the evening she is taken, astride a pony, to the temple, where a new cloth for the idol, the tāli, and other articles required for doing pūja (worship) have been got ready. The girl is seated facing
- ↑ * Manual of the North Arcol district.
