a booth made of split bamboo (pālāvili), and decorated with mango leaves, and flowers. There also is placed a pot containing several smaller pots, cowry shells, metal and earthenware sandals, and the image of a bull called bolli-āvu (bull idol). When not required for the purpose of worship, the idols are hung up in a room, which may not be entered by any one under pollution.
Some Karna Gollas earn their living by selling poultry, or by going about the country carrying on their head a small box containing idols and Virathādlu. Placing this at the end of a street, they do pūja (worship) before it, and walk up and down with a rope, with which they flagellate themselves. As they carry the gods (Dēvarlu) about, these people are called Dēvara vallu.
As the Gollas belong to the left-hand section, the Pedda Golla, or headman, has only a Mādiga as his assistant.
At the marriages of Mutrāchas, Mādigas, and some other classes, a form of worship called Vīrala pūja is performed with the object of propitiating heroes or ancestors (vīralu). A kindred ceremony, called Ganga pūja, is carried out by the Gollas, the expenses of which amount to about a hundred rupees. This Ganga worship lasts over three days, during which nine patterns, called muggu, are drawn on the floor in five colours, and represent dhāmarapadmam (lotus flower), pālāvili (booth), sulālu (tridents), sesha panpu (serpent's play ?), alugula simhāsanam (throne of Sakti), Vīradu pērāntalu (hero and his wife), Rānivasam (Rāni's palace), bōnala (food), and Ganga. The last is a female figure, and probably represents Ganga, the goddess of water, though one of the Golla ancestors was named Gangi Rāju. The patterns must be drawn by Mādigas or Mālas.
