of ordinary strength to cleave open the head of his adversary at a blow; but, the fingers being introduced through the weapon, it is fastened across them at an equal distance between the first and second lower joints, in a situation, it will be observed, which does not admit of attempting a severe blow, without the risk of dislocating the first joints of all the fingers. Thus armed, and adorned with garlands of flowers, the successive pairs of combatants, previously matched by the masters of the feast, are led into the arena; their names and abodes are proclaimed; and, after making their prostrations, first to the Rāja seated on his ivory throne, and then to the lattices behind which the ladies of the court are seated, they proceed to the combat, first divesting themselves of the garlands, and strewing the flowers gracefully over the arena. The combat is a mixture of wrestling and boxing, if the latter may be so named. The head is the exclusive object permitted to be struck. Before the end of the contest, both of the combatants may frequently be observed streaming with blood from the crown of the head down to the sand of the arena. When victory seems to have declared itself, or the contest is too severely maintained, the moderators in attendance on the Rāja make a signal for its cessation by throwing down turbans and robes, to be presented to the combatants. The victor frequently goes off the arena in four or five somersaults, to denote that he retires fresh from the contest. The Jettis are divided into five classes, and the ordinary price of victory is promotion to a higher class. There are distinct rewards for the first class, and in their old age they are promoted to be masters of the feast."
In an account of sports held before Tipu Sultān at Seringapatam, James Scurry, who was one of his
