temporary hut for seven days, during which food is served to her at a distance. She is forbidden to go out and play with her friends. On the morning of the seventh day, the Vallons of the kara and the castemen are again invited. The latter bring with them some rice, vegetables, and toddy, to defray the expenses of the feast. At dawn, the mother of the girl gives oil to the seven Pulaya maidens, and to her daughter for an oil-bath. They then go to a neighbouring tank (pond) or stream to bathe, and return home. The girl is then neatly dressed, and adorned in her best. Her face is painted yellow, and marked with spots of various colours. She stands before a few Parayas, who play on their flute and drum, to cast out the demons, if any, from her body. The girl leaps with frantic movements, if she is possessed by them. In that case, they transfer them to a tree close by driving a nail into the trunk after due offerings. If she is not possessed, she remains unmoved, and the Parayas bring the music to a close. The girl is again bathed with her companions, who are all treated to a dinner. The ceremony then comes to an end with a feast to the castemen. The ceremony described is performed by the Valluva Pulayas in the southern parts, near and around the suburbs of Cochin, but is unknown among other sub-tribes elsewhere. The devil-driving by the Parayas is not attended to. Nor is a temporary hut erected for the girl to be lodged in. She is allowed to remain in a corner of the hut, but is not permitted to touch others. She is bathed on the seventh day, and the castemen, friends and relations, are invited to a feast.
"Marriage is prohibited among members of the same koottam (family group). In the Chittūr tāluk, members of the same village do not intermarry, for they believe
