in turn similarly poured. After this mystic rite, the Kallādi starts a mournful dirge in monotone, and the other actors in the solemn ceremony join in the chorus. The chant tells of the darkness and the nothingness that were before the creation of the world, and unfolds a fanciful tale of how the world came to be created. The chant has the weird refrain Oh! ho! Oh! ho. On its conclusion, the effigy is left at the head of the grave, but the Kallādi takes away the pole with him. The performers bathe and return to the house of mourning, where the Kallādi gets into a state of afflation. The spirit of the departed enters into him, and speaks through him, telling the mourners that he is happy, and does not want them to grieve over much for him. The Kallādi then enters the house, and, putting a heap of earth in the corner of the centre room, digs the pole into it. A light is brought and placed there, as also some toddy, a tender cocoanut, and parched rice. The spirit of the deceased, speaking again through the Kallādi, thanks his people for their gifts, and beseeches them to think occasionally of him, and make him periodical offerings. The assembly then indulge in a feed. Rice and paddy are mixed together and divided into two portions, to one of which eight quarter-annas, and to the other twelve quarter-annas are added. The latter share falls to the Avakasi, while from the former the mixture and one quarter-anna go to the Kallādi, and a quarter-anna to each of the nearest relatives. The basket which had been hung up earlier in the day is taken down and thrown away, and the jenmi's spade is returned to him."*[1]
It is noted by Mr. Logan that "the Cherumans, like other classes, observe death pollution. But, as they
- ↑ * Madras Mail, 1895.
