over the right shoulder, and are conspicuous by the nose ornament known as the nattu.
In connection with the professional calling of the Kammālans, Surgeon- Major W. R. Cornish writes as follows.*[1] "The artisans, who are smiths or carpenters, usually bring up their children to the same pursuits. It might have been supposed that the hereditary influence in the course of generations would have tended to excellence in the several pursuits, but it has not been so. Ordinary native work in metal, stone, and wood, is coarse and rough, and the designs are of the stereotyped form. The improvement in handicraft work of late years has been entirely due to European influence. The constructors of railways have been great educators of artisans. The quality of stone-masonry, brick-work, carpentry, and smith-work has vastly improved within the last twenty years, and especially in districts where railway works have been in progress. The gold and silver smiths of Southern India are a numerous body. Their chief employment consists in setting and making native jewellery. Some of their designs are ingenious, but here again the ordinary work for native customers is often noticeable for a want of finish, and, with the exception of a few articles made for the European markets, there is no evidence of progressive improvement in design or execution. That the native artists are capable of improvement as a class is evident from their skill and ingenuity in copying designs set before them, and from the excellent finish of their work under European supervision; but there must be a demand for highly finished work before the goldsmiths will have generally improved. The wearers of jewellery in India
- ↑ * Madras Census Report, 1871.
