of pottery made out of black and brown clay. They are said to be made at a village near Channapatna, and consist of rudely ornamented miniature lamps of various patterns, models of native kitchen-ranges, pots, tobacco-pipes, dishes, etc. At the Mysore census, 1891, some potters described themselves as Gundu (round) Brāhmans.
The Oriya Kumbāro (kumbho, a pot) are said to practice both infant and adult marriage, and to permit the remarriage of widows. A sub-caste, named Bhande, derives its name from the Sanskrit bhanda, a pot. The Madras Museum possesses a quaint series of painted clay figures, made by a potter at Venkatarayapalle in Ganjam, which are set up in shrines on the seashore, and worshipped by fishermen. They include the following: —
Bengāli Bābu. — Wears a hat, and rides on a black horse. He blesses the fishermen, secures large hauls of fish for them, and guards them against danger when out fishing.
Rājamma. — A female figure, with a sword in her right hand, riding on a black elephant. She blesses barren women with children, and favours her devotees with big catches when they go out fishing.
Veyyi Kannalu Ammavaru, or the goddess of a thousand eyes, represented by a pot pierced with many holes, in which a gingelly (Sesamum) oil light is burnt. She attends to the general welfare of the fishing folk.
Further details relating to the South Indian potters will be found under the heading Kusavan.
Kumbi (potter). — A sub-division of Savara.
Kummidichatti.—Recorded, in the North Arcot Manual, as a sub-division of Vellālas, who carried the chatty, or pot of fire, at Vellāla funerals. In Tamil, the
