their foreheads with vibhūti or sacred ashes every morning. There is thus no distinctive mark for the Jangam. But certain ascetics of the priestly class sometimes put on a red robe peculiar to them, and others cover themselves with vibhūti and many quaint ornaments. [A Jangam whom I interviewed at a village in Mysore, was named Vīrabhadra Kayaka, and was also known as Kāsi Lingada Vīra. He was going about the village, shouting, dancing, and repeating the Vīrabhadra khadga or praise of Vīrabhadra, Siva's son. On his head he had a lingam stuck in his head-cloth, with a five-headed snake forming a canopy over it, and the sacred bull Basava in front. Tied to the forehead, and passing round the head, was a string holding thirty-two lingams. At the back of the head was a mane of white false hair. His face was painted bright red. Round the neck he had four garlands of rudrāksha beads, and suspended from the neck, and resting on the chest, was a silver casket containing a lingam. Round the waist was a waist-band made of brass squares ornamented with a variety of figures, among which were the heads of Daksha Brahma and Vīrabhadra. Suspended from the neck was a breast-plate, with a representation of Vīrabhadra and the figures of Daksha Brahma and his wife engraved in copper. From the waist a piece of tiger skin was suspended, to which were attached two heads of Daksha Brahma with a lion's head between. Hanging lower down was a figure of Basava. Tied to the ankles were hollow brass cylinders with loose bits of brass inside. Strings of round brass bells were tied to the knees. In his right hand he carried a long sword, and tied to the left forearm was a gauntlet-handled scimitar. To the handle were attached pieces of brass, which made a noise when the arm was
