time with a long baton of peacock's feathers. Suddenly, the drums drop to a muffled beat, and each group strings out into a long line, headed by the leader with the feathers, each maiden passing her right hand behind the next girl's back, and grasping the left elbow of the next but one. Thus linked, and in time with the drums (which now break into allegro crescendo), the long chain of girls — dancing in perfect step, following the leader with her swaying baton, marking the time by clinking their anklets (right, left, right, clink; left, clink; right, left, right, clink; and so da capo), chanting the while (quite tunefully) in unison a refrain in a minor key ending on a sustained falling note — weave themselves into sinuous lines, curves, spirals, figures-of-eight, and back Into lines again; wind in and out like some brightly-coloured snake; never halting for a moment, now back- wards, now forwards, first slowly and decorously, then, as the drums quicken, faster and faster, with more and more abandon, and longer and longer steps, until suddenly some one gets out of step, and the chain snaps amid peals of breathless laughter."
For the following supplementary note on the Bonda Porojas, I am indebted to Mr. C. A. Henderson.
These people live in the western portion of Malkanagiri tāluk, along the edge of the hills, probably penetrating some distance into them. The elder men are not in any way distinguishable from their neighbours. Young unmarried men, however, tie a strip of palmyra leaf round their heads in the same way as the women of their own tribe, or of the Gadabas. The women are very distinctly dressed. They all shave their heads once a month or so, and fasten a little fillet, made of beads or plaited grass, round them. The neck and chest are covered with a mass of ornaments, by which
