the morning of the third or nāgavali day, a quantity of castor-oil seed is sent by the bride's people to the bridegroom's house, and returned. The bride and bridegroom go, in a closed and open palanquin, respectively, to the house of the former. They take their seats on the dais, and the bride is once more blindfolded. In front of them, five pots filled with water are arranged in the form of a quincunx. Lighted lamps are placed by the side of each of the corner pots. On the lids of the pots five cocoanuts, plantains, pieces of turmeric, and betel are arranged, and yellow thread is wound seven times round the corner pots. The pots are then worshipped, and the bridegroom places on the neck of the bride a black bead necklace, which is tied by the Brāhman woman. In front of the bridegroom some salt, and in front of the bride some paddy is heaped up. An altercation arises between the bridegroom and the brother of the bride as to the relative values of the two heaps, and it is finally decided that they are of equal value. The bridal pair then enter the room, in which the avireni pots are kept, and throw their rings into one of the pots which is full of water. The bridegroom has to pick out therefrom, at three dips, his own ring, and his brother-in-law that of the bride. The purōhit sprinkles water over the heads of the pair, and their wrist-threads (kankanam) are removed. They then sit in a swing on the pandal for a short time, and the ceremonies conclude with the customary waving of coloured water (ārati) and distribution of betel. During the marriage ceremony, Rāzu women are not allowed to sit in the pandal. The wives of the more well-to-do members of the community remain gōsha within their houses, and, strictly speaking, a woman should not see her husband during the daytime. Many of the women, however, go freely about the town
