of turmeric, are taken to the house. The liquor is drunk, and the turmeric paste is smeared over the back and haunches of the girl's relatives. Some time afterwards, the marriage ceremony takes place. The bridegroom's party proceed to the house of the bride, dancing and singing to the accompaniment of all the musical instruments except the drum, which is only played at funerals. With them they take twenty big pots of liquor, a pair of brass bangles and a cloth for the bride's mother, and head cloths for the father, brothers, and other male relatives. When everything is ready, the priest is called in. One of the twenty pots is decorated, and an arrow is fixed in the ground at its side. The priest then repeats prayers to the invisible spirits and ancestors, and pours some of the liquor into leaf-cups prepared in the names of the ancestors [Jojonji and Yoyonji, male and female], and the chiefs of the village. This liquor is considered very sacred, and is sprinkled from a leaf over the shoulders and feet of the elders present. The father of the bride, addressing the priest, says 'Bōya, I have drunk the liquor brought by the bridegroom's father, and thereby have accepted his proposal for a marriage between his son and my daughter. I do not know whether the girl will afterwards agree to go to her husband, or not. Therefore it is well that you should ask her openly to speak out her mind.' The priest accordingly asks the girl if she has any objection,and she replies 'My father and mother, and all my relatives have drunk the bridegroom's liquor. I am a Savara, and he is a Savara. Why then should I not marry him?' Then all the people assembled proclaim that the pair are husband and wife. This done, the big pot of liquor, which has been set apart from the rest, is taken into the bride's house. This pot, with
