protagonist in all the ceremonies after death, lifts the cloth with all its contents, places it on his head, and touches with it his forehead, ears, each side and loins, knees and toes. He does this three times. The plantain leaves are then removed from the figure. A little turmeric powder is taken from the outline, and rubbed on the forehead of the eldest son. He then bows thrice to the figure, crossing his legs and arms so that the right hand holds the left ear, and the left the right ear, and touches the ground with the elbow-joints. It is no joke to do this. All this time, the eldest son wears round his forehead the strip torn from the cloth which covered the corpse. There is nothing more to be done in the middle room for the present, and the eldest son goes out into the yard, and cooks the rice for the final feed to the crows. Three nāzhis of this rice must be pounded and prepared for cooking by the woman who watched the lamp on the fourth night after death. Having cooked the rice, the eldest son brings it into the middle room, and mixes it with some unrefined sugar, plantains and pappadams, making two balls, one large and one small. Each of these he places on a plantain leaf. Then some pūja is done to them, and offerings of rice are made over a gold fanam. The balls are given to the crows in the yard, or, in some cases, taken to the sea or a river, and cast into the water. When this course is adopted, various articles must be kept ready ere the return of the party. These comprise a new pot containing water, a branch of areca blossoms, mango leaves, a kindi containing a gold fanam or gold ring, a little salt and rice, each tied up in a piece of cloth, and a few chillies. The mouth of the pot is covered with a plantain leaf, and secured. There are also two stools, made of pala and mango wood. The eldest son sits on one of these, and places
