made, into each of which a twig is inserted. The ends of the twigs are tied together with thread, so that they represent a miniature pandal (booth). The pot is carried by a Mannāru, dressed up like a woman in black and white cloths, together with another pot representing Enuga Sakthi. The former is carried in the bend of the left elbow, and the latter on the head. The pots are accompanied in procession to the burial-ground, and, on the way thither some one becomes inspired, and narrates the following legend: — "I am Būlokasakthi. Ages ago I was in an egg, of which the upper half became the sky and the lower half the earth, and was released. The moon was the mark on my forehead, and the sun was my mirror. Seven gadhis (a measure of time) after my birth,a west wind arose. By that time I had grown into an adult woman, and so I embraced the wind, which impregnated me, and, after nine gadhis, Brahma was born. He grew into a young man, and I asked him to embrace me, but he refused, and, as a curse, I caused him to become a stone. Vishnu underwent the same fate, but Siva promised to satisfy me, if I gave him my third eye, shoulder-bag, and cane. This I did, and lost my power. Then all the water disappeared, and I was covered with mud. Siva again caused water to appear, and of it I took three handfuls, and threw them over my body. The third handful consumed me, and reduced me to ashes. From these were created Sarasvati, Parvati, and Būlokamma. I am that Būlokamma. I asked a favour of Siva. He made me remain within this earth, and, drawing three lines, said that I should not come out, and should receive offerings of fowls and goats." At this stage, a chicken is given to the Mannāru, who bites, and kills it. At the burial-ground worship is performed, and a goat sacrificed. The goddess being confined
