then takes place, and the washerman appropriates the fanam, and the paddy and rice spread in the yard. So ends the third day of these strange observances. On the fourth day, the girl bathes in a neighbouring pool, with some ceremonial. Before she leaves the house, the washerman fixes in the ground a branch of a certain tree, to the top and bottom of which he ties the two ends of a long line of thin coir rope or yarn. This is supposed to represent the bow of Kàma, the Indian Cupid. He erects a miniature temple-like structure of young cocoanut leaves, with the stems of young plantains near it, by the side of the pool. Close to it, he places a burning lamp, and a small quantity of rice and paddy, each on a separate plantain leaf. Near them he sets a cocoanut, which has been blackened with charcoal, on some rice spread on a plantain leaf, a cocoanut reddened with turmeric and chunam on raw rice, and another on a leaf, containing fried paddy.*[1] He further deposits a few plantains, and two other cocoanuts. Before the girl leaves the house, clad in one of the cloths brought on the previous night, she is well rubbed all over with oil, and the four or six women †[2] who accompany her are similarly treated. Leading the way, they are followed by a number of women to the pool, where the girl and her companions bathe. After the bath, they stand by the side of the pool, facing east and holding lighted cotton-wicks in their hands, and go round the miniature temple three times, throwing the wicks into it. The washerman again breaks out into song, accompanying himself by
