interesting features. It is always done by the intended husband, or some one representing him. Seven days prior to the beginning of the ceremony, the carpenter of the tara, with the permission of the Tandān (here called Avakāsi), cuts down an areca palm, and fixes part of it as the south-east post of the booth, at which the tāli will be tied. On the sixth day, the girl is formally installed in the middle room of the house. The carpenter brings a mana of pala wood, the cost of which is paid by the father, and does pūja to it. The bridegroom's party arrive. A lamp is lighted in the booth, which is at this time partly, but not entirely, made ready. Near the lamp are placed a measure of paddy, half a measure (nāzhi) of rice, a looking-glass, a kindi of water, and a wooden cheppu (a rude vessel with a sliding cover). The wives of the Tandān and uncle, together with some other women, bring the girl, and seat her on the mana. The uncle's wife parts her hair, and places a gold fanam on her crown. The Tandān's wife then pours a little oil on it over a leaf of the jāk tree three times. The other women do the same. The girl is then taken to a pool, and bathed. Before her return, the mana should be placed ready for her in the middle room of the house. In the evening there is a feast. On the day but one following, the tāli is tied. The last post of the booth is put up, and it is completed and decorated on the tāli-tying day. A lamp, looking-glass, and other things are put in it. A grass mat is spread on the floor, and a kambli (blanket) and a whitewashed cloth are placed over it. On either side of it is placed a pillow. The bridegroom and his party wait in an adjoining house, for they must not appear on the scene until the psychological moment arrives. The Tandān of the bridegroom's tara, with a few friends, comes first, and hands over two
