stage, the curtain is removed, and, the pair standing side by side, their cloths are knotted together. The knot is called the knot of Brahma, and signifies that it is Brahma who has tied them together. They now walk out of the pandal, and make obeisance to the sun by bowing, and placing their hands together before their breasts in the reverential position of prayer. Returning to the pandal,they go to one corner of it, where five new and gaudily painted earthenware pots filled with water have been previously arranged. Into one of these pots, one of the females present drops a gold nose ornament, or a man drops a ring. The bride and bridegroom put their right hands into the pot, and search for the article. Whichever first finds it takes it out, and, showing it, declares that he or she has found it. This farce is repeated three times, and the couple then take their seats on a cumbly in the centre of the pandal, and await the preparation of the great feast which closes the ceremony. For this, two sheep are killed, and the friends and relations who have attended are given as much curry and rice as they can eat. Next morning, the couple go to the bridegroom's village, or, if the wedding took place at his village, to that of the bride, and stay there three days before returning to the marriage pandal. Near the five water-pots already mentioned, some white-ant earth has been spread at the time of the wedding, and on this some paddy (unhusked rice) and dhal seeds have been scattered on the evening of the day on which the wedding commenced. By the time the couple return, these seeds have sprouted. A procession is formed, and the seedlings, being gathered up by the newly married couple, are carried to the village well, into which they are thrown.This ends the marriage ceremony. At their weddings, the Bōyas indulge in much music. Their dresses are
