It is also sometimes made of iron. It is crescent-shaped, one end being heavier than the other, and the outer end is sharpened. Men trained in the use of the weapon hold it by the lighter end, whirl it a few times over their shoulders to give it impetus, and then hurl it with great force against the object aimed at. It is said that there were experts in the art of throwing the valari, who could at one stroke despatch small game, and even man. No such experts are now forthcoming in the Pudukkōttai State, though the instrument is reported to be occasionally used in hunting hares, jungle fowl, etc. Its days, however, must be counted as past. Tradition states that the instrument played a considerable part in the Poligar wars of the last century. But it now reposes peacefully in the households of the descendants of the rude Kalian and Maravan warriors, preserved as a sacred relic of a chivalric past, along with other old family weapons in their pūja (worship) room, brought out and scraped and cleaned on occasions like the Ayudha pūja day (when worship is paid to weapons and implements of industry), and restored to its place of rest immediately afterwards." At a Kalian marriage, the bride and bridegroom go to the house of the latter, where boomerangs are exchanged, and a feast is held. This custom appears to be fast becoming a tradition. But there is a common saying still current "Send the valai tadi, and bring the bride."[1]
It is pointed out by Topinard,[2] as a somewhat important piece of evidence, that, in the West, about Madagascar and the point of Aden in Africa, there are black tribes with smooth hair, or, at all events, large numbers of individuals who have it, mingled particularly
