troubadours, reciting ballads in poetry in glorification of the wondrous deeds of local princes and heroes. Hyder Ali, although not a Hindu, delighted to be constantly preceded by them, and they are still an appendage to the state of Hindu and Mussalman Chiefs. They have a wonderful faculty in speaking improvisatore, on any subject proposed to them, a declamation in measures, which may be considered as a sort of medium between blank verse and modulated verse. But their profession is that of chanting the exploits of former days in front of the troops while marshalling them for battle, and inciting them to emulate the glory of their ancestors. Now many of them are mendicants."
In the Madras Census Report, 1871, the Bhat Rājahs are said to "wear the pavitra or sacred thread. They are the bards and minstrels, who sing the praises of the Kshatriya race, or indeed of great men in general,and especially of those who liberally reward the singers. They are a wandering class, gaining a living by attaching themselves to the establishments of great men, or in chanting the folklore of the people. They are mostly Vishnu worshippers, and in only one district is it reported that they worship village deities."In the Madras Census Report, 1891, the Bhatrāzus are summed up as being "a class of professional bards, spread all over the Telugu districts. They are the representatives of the Bhāt caste of other parts of India. They are called Rāzus, because they are supposed to be the offspring of a Kshatriya female by a Vaisya male. They are well versed in folklore, and in the family histories and legends of the ancient Rājahs. Under the old Hindu Rājahs the Bhatrāzus were employed as bards, eulogists, and reciters of family genealogy and tradition. Most of them are now cultivators, and only a few are ballad-reciters.
