three times. On the following morning, they proceed to the house of the bridegroom, the bride's father carrying a brass vessel containing water. From this vessel, water is poured into smaller vessels by an odd number of women (five or more). These women are usually selected by the wife of the headman. The pouring of the water must be carried out according to a recognised code of precedence, which varies with the locality. At Udipi, for example, the order is Mangalore, Barkūr, Udipi. The women all pour water over the head of the bridegroom.
The rite is called mariyāthe nīru (water for respect). The bridegroom is then decorated, and a bāshingam (chaplet) is placed on his forehead. He sits in front of a brass vessel, called Ganapathi (the elephant god), which is placed on a small quantity of rice spread on the floor, and worships it. He is then conducted to the marriage pandal (booth) by his sister's husband, followed by his sister carrying the brass vessel and a gindi (vessel with a spout), to which the bride's bāshingam and the tāli (marriage badge) are tied. A red cloth, intended for the bride, must also be carried by her. Within the pandal, the bridegroom stands in front of a cot. The bride's party, and the men in attendance on the bridegroom, stand opposite each other with the bridegroom between them, and throw rice over each other. All are then seated, except the bridegroom, his sister, and the bride's brother. The bridegroom's father waves incense in front of the cot and brass vessel, and hands over the gindi, and other articles, to the bridegroom's sister, to be taken to the bride. Lights and ārathi water are waved before the bridegroom, and, while the bride's father holds his hands, her brother washes his feet. He then goes seven times round the cot, after he has
