religious ceremonials, in processions, and before the shrines of Hindu deities. In Southern India, the sankhu is employed in the ministration of a class of temple servers called Dāsari. No tune, so to speak, can of course be played upon it, but still the tone is capable of much modulation by the lips, and its clear mellow notes are not without a certain charm. A rather striking effect is produced when it is used in the temple ritual as a sort of rhythmical accompaniment, when it plays the part of kannagōlu or tālavinyāsa." In a petition from two natives of the city of Madras in 1734, in connection with the expenses for erecting a town called Chintadrepettah, the following occurs *[1] : — "Expended towards digging a foundation, where chanks was buried with accustomary ceremonies." A right-handed chank (i.e., one which has its spiral opening to the right), which was found off the coast of Ceylon at Jaffna in 1887, was sold for Rs. 700. Such a chank is said to have been sometimes priced at a lakh of rupees; and, writing in 1813, Milburn says* that a chank opening to the right hand is greatly valued, and always sells for its weight in gold. Further, Baldseus narrates the legend that Garroude flew in all haste to Brahma, and brought to Kistna the chianko or kinkhorn twisted to the right. The chank appears as a symbol on coins of the Chālukyan and Pāndyan dynasties of Southern India, and on the modern coins of the Mahārājas of Travancore.
Temple worship is entirely based on Āgamas. As Brāhmans take part only in the worship of Siva and. Vishnu, temples dedicated to these gods are largely frequented by them. The duties connected with the actual worship of the idol are carried out by Gurukkals
- ↑ * Oriental Commerce.
