The Mādhva Brāhmans commence the marriage ceremony by asking the ancestors of the bridal couple to bless them, and be present throughout the performance of the rites. To represent the ancestors, a ravike (bodice) and dhotra (man's cloth) are tied to a stick, which is placed near the box containing the sālagrāma stone and household gods. In consequence of these ancestors being represented, orthodox Vaidiki Brāhmans refuse to take food in the marriage house. When the bridegroom is conducted to the marriage booth by his future father-in-law, all those who have taken part in the Kāsiyātra ceremony, throw rice over him. A quaint ceremony, called rangavriksha (drawing), is performed on the morning of the second day. After the usual playing with balls of flowers (nalagu or nalangu), the bridegroom takes hold of the right hand of the bride, and, after dipping her right forefinger in turmeric and chunam (lime) paste, traces on a white wall the outline of a plantain tree, of which a sketch has previously been made by a married woman. The tracing goes on for three days. First the base of the plant is drawn, and, on the evening of the third day, it is completed by putting in the flower spikes. On the third night the bridegroom is served with sweets and other refreshments by his mother-in-law, from whose hands he snatches the vessels containing them. He picks out what he likes best, and scatters the remainder about the room. The pollution caused thereby is removed by sprinkling water and cow-dung, which is done by the cook engaged for the marriage by the bridegroom's family. After washing his hands, the bridegroom goes home, taking with him a silver vessel, which he surreptitiously removes from near the gods. Along with this vessel he is supposed to steal a rope for drawing water,
