During the nēma, the Bhūtas, i.e., the things representing them, are brought from the sthāna to the house of the man giving the feast, and remain there till it is over. Agelu-tambila is a kind of worship offered only to the Baiderlu, and that annually by the Billavas only. It will be seen that kōla, bandi, and nēma are applicable to all the Bhūtas, including the Baiderlu, but that the agelu-tambila is applicable only to the Baiderlu."
The following account of Canara devil-dancers and exorcists is given in Mr. Lavie's Manuscript History of Canara. "It is their duty to carry a beautiful sword with a handsomely curved handle, and polished blade of the finest steel. These they shake and flourish about in all directions, jumping, dancing, and trembling in a most frightful manner. Their hair is loose and flowing, and, by their inflamed eyes and general appearance, I should suppose that they are prepared for the occasion by intoxicating liquids or drugs .... Their power as exorcists is exercised on any person supposed to be possessed with the devil. I have passed by a house in which an exorcist has been exercising his powers. He began with groans, sighs, and mutterings, and broke forth into low mournings. Afterwards he raised his voice, and uttered with rapidity and in a peculiar tone of voice certain mantrams or charms, all the while trembling violently, and moving his body backwards and forwards."The performance (of devil dances) always takes place at night, commencing about nine o'clock. At first the pūjāri, with the Bhūta sword and bell in his hands, whirls round and round, imitating the supposed mien and gestures of the demon. But he does not aspire to full possession; that is reserved for a Pombada or a Nalke, a man of the lowest class, who comes forward when the Billava pūjāri has exhibited himself for about
