A dead person, I was informed at Coimbatore, is buried in a sitting posture, or, if young and unmarried, in a recumbent position. As the funeral procession proceeds on its way to the burial-ground, the relations and friends throw coins, fruits, cakes, cooked rice, etc.,on the road, to be picked up by poor people. If the funeral is in high life, they may even throw flowers made of gold or silver, but not images, as some of the higher classes do. At the south end of the grave, a hollow is scooped out for the head and back to rest in. A small quantity of salt is placed on the abdomen, and the grave is filled in. Leaves of the arka plant (Calotropis gigantea), or tangēdu (Cassia auriculata), are placed in three corners, and a stone is set up over the head. The son, having gone round the grave with a pot of water and a fire-brand, breaks the pot on the stone before he retires. The widow of the deceased breaks her bangles, and throws them on the grave. The son and other mourners bathe, and return home, where they worship a lighted lamp. On the third day, dried twigs of several species of Ficus and jāk tree (Artocarpus integrifolia), milk, a new cloth, plantains, tender cocoanuts, cheroots, raw rice, betel, etc., required for worship, are taken to the grave. The twigs are burnt, and reduced to ashes, with which, mixed with water, the figure of a human being is made. It is covered with a new cloth, and flowers are thrown on it. Pūja is done to plantains, cocoanut, etc., placed on a plantain leaf, and milk is poured over the figure by relations and friends. The widow breaks her tāli string, and throws it on the figure. The son, and the four bearers who carried the corpse to the grave, are shaved. Each of the bearers is made to stand up, holding a pestle. The barber touches their shoulders with holy grass
