resemble generally the Vellālans and other higher Tamil castes, while the latter speak Telugu, and follow domestic practices similar to those of the Telugu Brāhmans. Both are musicians. The Telugus practice only the musician's art or periyamēlam (band composed of clarionet or nāgasaram, pipe, drum, and cymbals), having nothing to do with dancing or dancing-girls, to whom the chinnamelam or nautch music is appropriate. The Tamil caste provides, or has adopted all the dancing-girls in the district. The daughters of these women are generally brought up to their mother's profession, but the daughters of the men of the community rarely nowadays become dancing -girls, but are ordinarily married to members of the caste. The Tamil Mēlakkārans perform both the periyamēlam and the nautch music. The latter consists of vocal music performed by a chorus of both sexes to the accompaniment of the pipe and cymbals. The class who perform it are called Nattuvans, and they are the instructors of the dancing-women. The periyamēlam always finds a place at weddings, but the nautch is a luxury. Nowadays the better musicians hold themselves aloof from the dancing-women. Both castes have a high opinion of their own social standing. Indeed the Tamil section say they are really Kallans, Vellālans, Agamudaiyans, and so on, and that their profession is merely an accident." The Vairāvi, or temple servant of Nāttukōttai Chettis, must be a Mēlakkāran.
Mellikallu. — Under the name Mellikallu or Mallekalu, seventy-six individuals are returned, in the Madras Census Report, 1901, as "hill cultivators in Pedakōta village of Vīravalli tāluk of the Vizagapatam Agency, who are reported to constitute a caste by them- selves. They pollute by touch, have their own priests, and eat pork but not beef."
