PALLIXTM
427
PALLIXTM
this he began the publication of disputations on the
second part of the " Summa theologica " of St. Thomas.
"R. P. Sfortiie Pallavicini . . . Disputationum in
lam Ilae d. Thomce tomus I" (Lyons, 1653). How-
ever, only this first volume of the work appeared, for
in the meantime Pallavicino had been directed by the
pope to write a refutation of Sarpi's History of the
Council of Trent.
The odious and hostile account of the Council of Trent by Sarpi had appeared as early as 1619 under a fictitious name ("Historia del Concilio Tridentino, nella quale si scoprono tutti gli artifici della corte di Roma . . . di Pietro Soave Pollano", London, 1619). ■Several Catholic scholars had already begun to collect the material for a refutation of this work, but none had been able to finish the gigantic undertaking. Felix Contelorio and the Jesuit, Ter. Alciati, in par- ticular had collected a rich mass of material. The latter, moreover, had already begun with the compila- tion, when he died suddenly in 1651. Pallavicino by order of the pope was now to take up the work anew. Accordingly he resigned his professorship at the Col- legium Romanum, t o devote himself exclusively to this prodigious task. He utilized all the available material previously gathered by Contelorio and Alciati, and added much that was new from Roman and non- Roman archives. The reports of the council in the secret archives of the Vatican were at his unrestricted disposal fcf. Ehses, in "Romische Quartalschrift", 1902, p. 296 sqq.). He was thus able to bring out the work as early as 1656 and 1657 in two folio volumes under the title, "Istoria del Concilio di Trento, scritta dal P. Sforza Pallavicino, della Comp. di Giesil ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" (first part, Rome, 1656; second part, Rome, 1657). The author himself was able to bring out a new edition in three volumes (Rome, 1664). With the assistance of his secretary Cataloni, he made an abridgement in which the polemical portions are omitted (Rome, 1666). Until within very recent years Pallavicino's History of the Council of Trent was the principal work on this important ecclesiastical assem- bly. Reprints of it have appeared frequently, and Antonio Zaccaria published an annotated edition (Rome, 1733, 4 vols.), which has been reprinted three times. The work was also translated into Latin by a Jesuit, Giattini (Antwerp, 1670); into German by Klitsche (Augsburg, 18.35-1837); into French (Migne series, Paris, 1844-1845); and into Spanish. Palla^ vicino's work is more copious, more conscientious, and more in accordance with the truth than that of his adversary Sarpi. But it is an apologetic treatise, and for that reason not free from partiality as it is not without errors [cf. "ConciHum Tridentinum, Diariorum pars prima", ed. Seb. Merkle (Freiburg im Breisgau, 1901), p. xiii]. In any case, however, Palla- vicino did not purposely falsify the history of the council, and he has reported much that proves his frankness and objectivity in the recital.
Pallavicino received due recognition from his friend, Alexander VII (1655-67). On 19 April, 1657, he was created cardinal in petto: on 10 Nov., 1659, his eleva- tion to the cardinalate was published. Nevertheless he continued his simple, pious way of living. The pope often consulted him in matters of importance. He attended to his diverse tasks with the greatest conscientiousness. His income was in a large measure employed in supporting scientific endeavours. His own work in literature was likewise continued, as is proved by the new edition of his History of the Coun- cil of Trent and the edition of the "Prose" of Ciam- poli. A work of ascetic character, "Arte della per- fezione cristiana, divisa in tre libri", appeared in 1665 (Rome). Several of his works were not printed until later; others are still in manuscript. After becoming cardinal, Pallavicino continued loyal
to the Jesuit Order and was its protector and
patron. He died during the vacancy of the Holy See
in 1667.
In the year after his death his former secretary, Giambattista GalU Pavarelli, published a collection of his letters, " Lettere dettate dal card. Sforza Pal- lavicino" (Rome, 1668). Other collections appeared in Bologna (1669), in Venice (1825), in Rome (4 vols., 1848). An opinion which he had written on the question whether it was most appropriate that the pope five in Rome at St. Peter's, was printed together with a discussion of the same question by Lucas Holstenius, in Rome (1676). Larger collections of various works of Pallavicino were brought out as late as the nineteenth century. The following editions of his "Opera" are to be noted as the most important: Rome, 1834 (in 2 volumes); Rome, 1844-48 (m 33 volumes); and a collection of other works in five volumes published at the same time by Ottavio Gilgi.
ApFd, Biography of Pallavicino in RaccoUa di opuscoli scien- tifici e letteraij di autori italiani, V (Ferrara, 1780), 1-64 fthi.-! ac- couat 13 printed with additions in the ed. of the Istoria del Con- cilio by Zaccaria (Faenza, 1792)]; Sommervogel, Bibliothkque de la Compagnie de Jesus, VI, BibUography (new edition, Brussels, 1S95), 120-143; Hurter. Nomeiiclator literarius, IV (Innsbruck, 1910). 192; GloRDANi, Opera inedita del P. S. Pallaviciiio in Vila diAless. VII. 1 (Prato, IS39), 3 sqq.
J. P. KiRSCH.
Pallium. — Form and Use of the Modern Pallium. — The modern pallium is a circular band about two inches wide, worn about the neck, breast, and shoul- ders, and having two pendants, one hanging down in front and one behind. The pendants are about two inches wide and twelve inches long, and are weighted with small pieces of lead covered with black silk. The remainder of the pallium is made of white wool, part of which is supplied by two lambs presented an- nually as a tax by the Lateran Canons Regular to the Chapter of St. John on the feast of St. Agnes, sol- emnly blessed on the high altar of that church after the pontifical Mass, and then offered to the pope. The ornamentation of the pallium consists of six small black crosses — one each on the breast and back, one on each shoulder, and one on each pendant. The crosses on the breast, back, and left shoulder are pro- vided with a loop for the reception of a gold pin set with a precious stone. The pallium is worn over the chasuble.
The use of the pallium is reserved to the pope and archbishops, but the latter may not use it until, on petition, they have received the permission of the Holy See. Bishops sometimes receive the pallium as a mark of special favour, but it does not increase their powers or jurisdiction, nor give them prece- dence. The pope may use the pallium at any time. Others, even archbishops, may use it only in their respective dioceses, and there only on the days and occasions designated in the "Pontificale" (Christ- mas, the Circumcision, and other specified great feasts; during the conferring of Holy orders, the con- secration of abbots, etc.), unless its use is extended by a special privilege. Worn by the pope, the pallium symbolizes the plenitudo pontificalis officii (i. e. the plenitude of pontifical office) ; worn by archbishops, it typifies their participation in the supreme pastoral power of the pope, who concedes it to them for their proper church provinces. An archbishop, therefore, who has not received the pallium, may not exercise any of his functions as metropolitan, nor any metro- politan prerogatives whatever; he is even forbidden to perfonn any episcopal act until invested with the pallium. Similarly, after his resignation, he may not use the pallium; should he be transferred to another archdiocese, he must again petition the Holy Father for the paUium. In the case of bishops, its use is purely ornamental. The new palliums are solemnly blessed after the Second Vespers on the feast of Sts.
