In making my selection I have chiefly tried to make the stories characteristic. It would have been easy, especially from Kennedy, to have made up a volume entirely filled with "Grimm's Goblins" à la Celtique. But one can have too much even of that very good thing, and I have therefore avoided as far as possible the more familiar "formulæ" of folk-tale literature. To do this I had to withdraw from the English-speakihg Pale both in Scotland and Ireland, and I laid down the rule to include only tales that have been taken down from Celtic peasants ignorant of English.
Having laid down the rule, I immediately proceeded to break it. The success of a fairy book, I am convinced, depends on the due admixture of the comic and the romantic: Grimm and Asbjörnsen knew this secret, and they alone. But the Celtic peasant who speaks Gaelic takes the pleasure of telling tales somewhat sadly: so far as he has been printed and translated, I found him, to my surprise, conspicuously lacking in humour. For the comic relief of this volume I have therefore had to turn mainly to the Irish peasant of the Pale; and what richer source could I draw from?
For the more romantic tales I have depended on the Gaelic, and, as I know about as much of Gaelic as an Irish Nationalist M.P., I have had to depend on translators. But I have felt myself more at liberty than the translators themselves, who have generally been over-literal, in changing, excising, or modifying the original. I have even gone further. In order that the tales should be characteristically
