lished an eighteenth century version in their Transactions for 1808. And lastly we have the version before us, collected only a few years ago, yet agreeing in all essential details with the version of the Book of Leinster. Such a record is unique in the history of oral tradition, outside Ireland, where, however, it is quite a customary experience in the study of the Finn-saga. It is now recognised that Macpherson had, or could have had, ample material for his rechauffé of the Finn or "Fingal" saga. His "Darthula" is a similar cobbling of our present story. I leave to Celtic specialists the task of settling the exact relations of these various texts. I content myself with pointing out the fact that in these latter days of a seemingly prosaic century in these British Isles there has been collected from the lips of the folk a heroic story like this of "Deirdre," full of romantic incidents, told with tender feeling and considerable literary skill. No other country in Europe, except perhaps Russia, could provide a parallel to this living on of Romance among the common folk. Surely it is a bounden duty of those who are in the position to put on record any such utterances of the folk-imagination of the Celts before it is too late.
X. MUNACHAR AND MANACHAR.
Source.—I have combined the Irish version given by Dr. Hyde in his Leabhar Sgeul., and translated by him for Mr. Yeats' Irish Folk and Fairy Tales and the Scotch version given in Gaelic and English by Campbell, No. viii.
Parallels.—Two English versions are given in my Eng. Fairy Tales, No. iv., "The Old Woman and her Pig," and xxxiv., "The Cat and the Mouse," where see notes for other variants in these isles. M. Cosquin, in his notes to No. xxxiv., of his Contes de Lorraine, t. ii. pp. 35–41, has drawn attention to an astonishing number of parallels scattered through all Europe and the East (cf., too. Crane, Ital. Pop. Tales, notes, 372–5). One of the earliest allusions to the jingle is in Don Quixote, pt. i, c. xvi.: "Y asi como suele decirse el gato al rato, el rato á la cuerda, la cuerda al palo, daba el arriero á Sancho, Sancho á la moza, la moza á el, el ventero á la moza." As I have pointed out, it is used to this day by Bengali women at the end of each folk-tale they recite (L. B. Day, Folk-Tales of Bengal, Pref.).
Remarks.—Two ingenious suggestions have been made as to the origin of this curious jingle, both connecting it with religious ceremonies: (1) Something very similar occurs in Chaldaic at the end of the Jewish Hagada, or domestic ritual for the Passover night. It
