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THE ROMAN RENAISSANCE
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up high enough to give effective abutment, and are loaded at the haunch by stepped rings of masonry, as in the Pantheon. The details of the interior (Fig. 36) consist of two superimposed orders of small pilasters, with great pilasters on the angles of
Fig. 35.—Exterior of Santa Maria della Consolazione, Todi.
the crossing reaching from the pavement to the springing of the pendentive arches, and from ressauts of the upper entablature converging ribs rise against the surfaces of the vaults. Several further awkward results are here noticeable as a consequence of this application of the inappropriate classic details to the
