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THE ROMAN RENAISSANCE
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the roof lines of the side chapels), and the abutting walls of curved outline over the side compartments. The chief aberrations of detail are the broken pediments of the doors and windows, and
Fig. 49.—Façade of the Gesù, Vignola.
the barbaric scrollwork and hermæ, the use of which this architect did much to establish. How far the barbarism of breaking the pediment was an independent freak of the Renaissance I
