them, while over the narrow intervals there is too much room for one and not enough for two. The designer has chosen to have but one, and the effect of the resulting wider spacing over the narrow bays is both unpleasant and unclassic. The upper story has a still more barocco character.
Fig. 71. — Palazzo Bevilacqua.
A Corinthian order with columns of alternately straight and spiral channelling, spaced in conformity with the pilasters of the basement and raised on pedestals, frames in a series of round-arched windows which are alternately large and small in correspondence with the magnitudes of the intervals. The window of each wide bay nearly fills the space enclosed by the order, and a keystone in the arch forms a corbel to the entablature, while the spandrels are adorned with sculptures in high relief after the manner of those of the Roman triumphal arches. Over the smaller arch in each narrow bay the spandrels are in relief and are crowned with a pediment surmounted by a horizontal cornice on a shallow ressaut corresponding to that of the spandrels, while over all this a plain oblong rectangular opening lights a low top story which is not otherwise expressed in the composition. In these narrow bays the corbels are introduced under the entablature
