archivolt is often spoken of as an innovation of Sansovino and Palladio. It is worthy of notice, however, that instances of it occur in the Græco-Roman architecture of Syria, as in S. Simeon Stylites (Fig. 74); but the arch in these cases is not framed in with the useless order. In the ground story arcade of Padua the spandrels have circular perforations, and these are reproduced by Palladio in both stories of his portico.
Fig. 74.—Arch of St. Simeon Stylites.
From a structural point of view Palladio's scheme is an improvement on that of Padua. For in Padua, as in Vicenza, both stories of the portico are vaulted, and the slender columns which alone bear the vaulting are too weak to withstand the thrusts of this vaulting, and thus both transverse and longitudinal tie-rods are inserted to maintain the stability of the fabric. But Palladio's massive and heavily weighted piers are strong enough to bear the thrusts without the aid of ties, and it may be added that the great orders have more function here than they usually have in Renaissance design, since their columns act somewhat as buttresses. The shaft of an order has not, indeed, a proper form for an abutment, and has no buttress expression. Its resistance to thrust is slight, but it is better than nothing at all. Following Sansovino, the architect has introduced a balustrade in each opening of the arcade, and a continuous one as a crowning feature of the cornice.
Palladio himself thought well of this work, and he does not hesitate to say in his book that it will bear comparison with the most beautiful buildings of antiquity. He tells us, also, that it is constructed in the best manner out of excellent cut stone. [1]
- ↑ "Non dubito che questa fabrica non possa esser comparata à gli edifici antichi e annoverata tra le maggiori, e le più belle fabriche che sianu state fatte da gli
