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CHURCH ARCHITECTURE
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Stages are carried around the apses. The wall surfaces are broken into rectangular panellings by mouldings and pilasters, every alternate pilaster in the third stage having a tapering
Fig. 80.—Santa Maria delle Grazie.
ornamental member, like the window shafts of the Certosa of Pavia, worked in relief on its face; and the panels are adorned with disks and medallions. Like most of the early Renaissance architecture of Milan; this building is entirely of brick with ornaments of terra-cotta.
