probably the motive of the very marked and almost eager emphasis with which the Bayeux Tapestry asserts and reasserts the reality of the personal betrayal. There is here a rather arresting fact to be noted. A great part of this celebrated pictorial record is not concerned at all with the well-known historical events which we have only to note rapidly here. It does, indeed, dwell a little on the death of Edward; it depicts the difficulties of William's enterprise in the felling of forests for shipbuilding, in the crossing of the Channel, and especially in the charge up the hill at Hastings, in which full justice is done to the destructive resistance of Harold's army. But it was really after Duke William had disembarked and defeated Harold on the Sussex coast, that he did what is historically worthy to be called the Conquest. It is not until these later operations that we have the note of the new and scientific militarism from the Continent. Instead of marching upon London he marched round it; and crossing the Thames at Wallingford cut off the city from the rest of the country and compelled its surrender. He had himself elected king with all the forms that would have accompanied a peaceful succession to the Confessor, and after a brief return to Normandy took up the work of war again to bring all England under his crown. Marching through the snow, he laid waste the northern counties, seized Chester, and made rather than won a kingdom. These things are the foundations of historical England; but of these
