A SHORT HISTORY OF ENGLAND
which men long afterwards amused themselves by calling a constitution.
There are paradoxes permissible for the redressing of a bad balance in criticism, and which may safely even be emphasized so long as they are not isolated. One of these I have called at the beginning of this chapter the strength of the weak kings. And there is a complement of it, even in this crisis of the Norman mastery, which might well be called the weakness of the strong kings. William of Normandy succeeded immediately, he did not quite succeed ultimately; there was in his huge success a secret of failure that only bore fruit long after his death. It was certainly his single aim to simplify England into a popular autocracy, like that growing up in France; with that aim he scattered the feudal holdings in scraps, demanded a direct vow from the sub-vassals to himself, and used any tool against the barony, from the highest culture of the foreign ecclesiastics to the rudest relics of Saxon custom. But the very parallel of France makes the paradox startlingly apparent. It is a proverb that the first French kings were puppets; that the mayor of the palace was quite insolently the king of the king. Yet it is certain that the puppet became an idol; a popular idol of unparalleled power, before which all mayors and nobles bent or were broken. In France arose absolute government, the more because it was not precisely personal government. The King was already a thing—like the Republic. Indeed
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