about Nothing' is a great comedy, because behind it is the whole pressure of that love of love which is the youth of the world, which is common to all the young, especially to those who swear they will die bachelors and old maids. 'Love's Labour Lost' is filled with the same energy, and there it falls even more definitely into the scope of our subject since it is a comedy in rhyme in which all men speak lyrically as naturally as the birds sing in pairing time. What the love of love is to the Shakespearian comedies, that other and more mysterious human passion, the love of death, is to 'L'Aiglon.' Whether we shall ever have in England a new tradition of poetic comedy it is difficult at present to say, but we shall assuredly never have it until we realise that comedy is built upon
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