"I don't," Orbison protested, from his long chair. "I may know it—I mean, I don't use it."
"Dear me!" she cried. "I shouldn't like Mr. Rennie to hear what you said to me last evening when you thought we weren't going to be near enough the young lady for you to listen to her chatter during the after-dinner music. We did finally get near enough, though, Mr. Rennie; and he was so absorbed in listening to her, he didn't even apologize to me. I do wonder what Miss Ambler and her mother think of us, the way we haunt them! Probably they'll expect Charles to propose, in case you introduce him. I really think you'd better do that, Mr. Rennie; I'm sure he's pining to meet her."
"I am not," Orbison said brusquely. "I can listen to her and puzzle about her much better without the pleasure of her acquaintance. She has a pretty voice; but what she says with it—good heavens!"
"You don't find it edifying?" his friend inquired.
"My dear man! I don't find it anything! That's the point—I don't find it! I listened to her for an hour last evening and I give you my word nobody in the world could be astute enough to know what she was talking about! The great mystery is, what in the name of a name could she, herself, think she was