Page:Clarence Mulford - Man from Bar-20.djvu/305

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Scouting as a Fine Art


riding down Hastings' single street he unconsciously would have observed every tin can, every old boot, and his memory, automatically photographing than with remarkable fidelity, would have filed the pictures away for future reference. Crossing a sage hen's track he unconsciously observed it minutely, and he could have told quite an interesting and intimate tale of what the bird had been doing.

Plunging into a deep gully, he swung up the opposite slope on a diagonal, and stopped suddenly, his busy mind instantly sidetracking its cogitations to take care of a matter immediately under his eyes. Three small stones lay, dark and damp, against the sun-dried, whitish rock stratum which formed the surface of the ridge. Above the level of his shoulders several green twigs were well chewed, two of them bitten clean off, and a dried lather still clung to them. Shoving his elbows out from his side to check his companion, he looked closely at both signs, and then, bending over, hurried along the slope searching the ground and swiftly disappeared around a bowlder. Purdy followed and bent over beside him. In a small patch of sand and clay which filled a hollow in the rock floor was the print of a hoof, and extending in front of it lay the imprint of the forward half of a moccasin.

Quigley glanced up quickly at his companion. "Fresh made!" he grunted. "Leads away from th'

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