VESTMENTS, SACRED 203 VESTBY the Christian church the sacred vest- ments represent the original costume of Rome and the East in the first centuries, retained unaltered by the clergy, whereas in the everyday world the costume varied in fashion, in material, in color from year to year. There seems little room for doubting that from a very early time Christian ministers employed some dis- tinctive dress in public worship; and Catholic writers even find traces in the beginning of the 5th century of the prac- tices of blessing the vestments which were destined for the public services of the Church. The vestments nzed in the celebration of mass by priests of the Ro- man Catholic Church are the amice (orig- inally worn over the head) ; the alb; the girdle, a linen cord tied round the waist, and confining the folds of the alb; the maniple, a narrow strip of embroidered silk, worn pendent from the arm; the stole, and the chasuble. The three last named are always of the same material and color; but this color, which appears primitively to have been in all cases white, now, and for many centuries, varies according to seasons and festivals, five different colors being employed in the cycle of ecclesiastical services — viz., white, red, green, violet, and black. Cloth of gold, however, may be substi- tuted for any of these except the last. Bishops, in celebrating, wear, besides the vestments of priests, two inner vest- ments, the dalmatic and tunic (those of the deacon and sub-deacon respectively), as also embroidered gloves and shoes, or buskins, together with the distinctive episcopal ornaments — the pectoral cross, ring, miter, and pastoral staff, or, if arch- bishops, the crozier. Archbishops cele- brating mass also wear the pallium. Bishops, when they celebrate pontifically, take their vestments from the altar, whereas priests put them on in the sacristy; but this is a late distinction. In other public services priests and bishops wear the cope, with a pendent cape or hood. In the ministration of the other sacraments, and also in ad- ministering communion privately, priests wear the surplice with the stole, or it may even be the stole alone. In the Greek Church the stoicharion, zone, epitrachelion, epimanikia (a square piece of cloth, stiffened, worn pendent from the girdle, and perhaps originally a napkin) , and ample phelonion correspond respec- tively with the alb, girdle, stole, maniple, and chasuble. Greek bishops wear the omophorion, which corresponds with the later pallium, and also a pectoral cross, and carry a short pastoral staff; but they wear no ring, and, except by the patriarch of Alexandria, the miter is not worn in the sanctuary. The natural effect of the religious changes of the 16th century was to put aside the costume at the same time and on the same grounds with the cere- monies of the existing worship. This was done, however, by the different churches of the Reformers in very vari- ous degrees. The Calvinistic worship may be said to have dispensed with vest- ments altogether. The Lutherans gen- erally retained with the cassock the albj and in some countries the chasuble. In the Swedish Church full vestments are retained. In the English Church a va- riety of practice has existed. As to the rest of the costume, the first Prayer- book retained the Roman vestments with little change; and as the vestments and ornaments of 1549 were again enjoined in 1559, a so-called ritualistic movement in the English Church has since 1851 re- introduced in some places almost every detail of the Roman costume in the com- munion and other services, a revival which has in many instances been vig- orously resisted. VESTRIS, LUCIA ELIZABETH, an English actress; the granddaughter of Bartolozzi, the engraver; born in Lon- don, January, 1797. Accomplished in music, French, and Italian, she married at 16 Armand Vestris, ballet-dancer, member of an originally Florentine fam- ily that gave to France a series of distinguished cooks, actors, and ballet- dancers. Three years later she sepa- rated from her husband and went on the stage in Paris (1815), attaining fair success. In 1820 she appeared at Drury Lane, London, soon became famous in "The Haunted Tower," was even more popular as Phoebe in "Paul Pry," and in light comedy and burlesque was uni- formly successful. She was lessee of the Olympic when in 1838 she married Charles James Mathews, and she after- ward undertook the management of Covent Garden and the Lyceum. She re- tired in 1854, and died in Gore Lodge, Fulham, England, Aug. 8, 1856. VESTRY, a room adjoining a church where the vestments of the clergy are kept. Hence the place of meeting of those having the charge of parochial affairs, and collectively the persons them- selves to whom these affairs are in- trusted. In England, the minister, church wardens, and chief men of a parish generally constitute a vestry, and the minister, whether rector, vicar, or perpetual curate, is ex-officio chairman. The powers of the vestry include the ex- penditure of the parish funds, the repairing or alteration of churches or chapels, and the appointing of certain parish officers. In London the vestries
