(7) For the purposes of subsection (6), where a copy of a work or a part of a work bears a notation of a kind referred to in subsection (1), whichever is applicable, the notation shall, unless the contrary is proved, be deemed to have been made on the copy at or about the time the copy was made.
(8) The production, in any proceedings of a kind referred to in subsection (6), of a record embodying a sound recording of a work or a part of a work, being a record that also embodies a sound recording of a message of the kind referred to in subsection (3), is prima facie evidence of the matters stated in the message.
(9) For the purposes of subsection (8), where a record embodying a sound recording of a work or a part of a work also embodies a sound recording of a message of the kind referred to in subsection (3), the message shall, unless the contrary is proved, be deemed to have been embodied on the record at the time the record was made.
(10) The production, in any proceedings—
- (a) for infringement of copyright in a sound recording or a cinematograph film; or
- (b) for a contravention of this Act,
of a copy of a sound recording or a cinematograph film bearing, or to which there is attached, a notation of the kind referred to in subsection (2), is prima facie evidence of the matters stated in the notation.
(11) For the purposes of subsection (10), where a copy of a sound recording or a cinematograph film bears, or where there is attached to such a copy, a notation of the kind referred to in subsection (2), the notation shall, unless the contrary is proved, be deemed to have been made on or attached to the copy at or about the time the copy was made.
(12) In this section, “copy”, in relation to a work, or a part of a work, includes a microform copy, a Braille version, a large-print version, or a photographic version, of the work, or of the part of the work.
