Page:Cori Elizabeth Dauber - YouTube War (2009).pdf/126

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out to CBS and ask that the piece be aired on the news, rather than the less visible outlet of the Internet venue. See www.mediachannel.org/wordpress/2007/01/24/helping-lara-logan/#logan-letter, accessed October 28, 2007. As was probably inevitable, given heated feelings about the war and the way feelings about the way the war was being covered became a proxy for those feelings, this rapidly became a target people could use to fight through larger issues.

120. "Pixellation" is the high-tech blurring used by television networks when they break an image down to the "pixels that are used to create it, reversing the process in such a way as to make it impossible to tell what it is supposed to be.

121. For a list of which newspapers presented the photograph in what way, see David D. Perlmutter and Lisa Hatley Major, "Images of Horror From Fallujah," Nieman Reports, Vol. 58, Summer 2004, p. 73.

122. This attitude towards the display of the dead body in news images is very much an American one. While it is shared to a lesser degree by the Canadian media, and an even lesser degree by the British, most countries' news outlets, print and broadcast, would display as a matter of course extremely graphic images that would never be seen in the United States.

123. One of the most powerful and memorable photographs taken that day has been called simply "the Jumper" or sometimes "the Falling Man," and although it is taken from a great enough distance that the man's identity cannot be determined (a number of reporters have subsequently tried), what is striking about it is the impression that the man is in a casual, even graceful pose as he falls. Yet the photo has essentially gone down the memory hole, appearing in none of the collections of images that appeared in the aftermath of the attacks, probably because when it did appear there were tremendous numbers of complaints. The photographer who took the shot also took shots of Robert F. Kennedy moments after the assassination, photographs far more graphic, yet they were published without controversy, and continue to be reprinted to this day. He suspects that the reason for the different reaction is that we did not and do not identify with Kennedy. Not being presidential candidates, we do not look at the photographs of him

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