and mouse were chosen with as much rhyme as reason. But the christening of fashions was a common habit, and when Paris was reduced to misery by the Ligue, and depression was written large upon the dress, which, cut square and heavy in style, bore about it a suggestiveness of architecture, colours were distinguished by such quaint names as "Dying Monkey," "The Sick Spaniard," etc. Like the girl in some comic opera, "I wonder why?"
Mile, de Ninon and Mesdames de Montespan and de Maintenon each inspired the names of a coiffure, a crown, and a cap, the last lady giving its title to a head-dress in the form of a scarf entwining a helmet. The battle of Steinkirk stood sponsor to a cravat and to a three-cornered fichu trimmed with gold and silver fringes; and the "Ninon" coiffure was parted in the front and flowed in curls at either side, the back being held by a ribbon.
No such distinction was gained by the English "mistresses" and maids of honour, whose names and escapades were legion; nor did they seek much individuality in their clothes, confident that the fashions prevailing were sufficient to excite the envy of the one sex and the admiration of the other; yet Lady Castlemaine, Miss Hamilton, Miss Warmestre, Miss Jennings, Miss Temple, Miss Price, Miss Stewart, and all the rest of the merry gang, were slaves of the mirror, and the joys of the masquerade were high in their favour, and for this no costume was too extravagantly absurd or too absurdly extravagant to obtain their satisfaction.
The distinguishing feature of fashion was the lace commode, which prevailed ubiquitously; its
