Two manufactures which were accorded prominent attention in these times were the linen and button manufactures, the former being made from the yarn obtained in Ireland, while for the latter, inspiration came from various parts of the Continent. Steel, brass and copper, and jet were used to make these buttons, and their value is quoted from 3d. to 140 guineas per gross. Fairholt, writing on the subject, says: "Buttons were made sometimes like a picture, the back dark, upon which, in various degrees of relief, were placed in ivory or bone, figures and flowers. Others showed elegant patterns in white upon gilt, and many most tasteful appeared on Court suits, these being made of mother-of-pearl or ivory, the centre embellished with patterns in gilt."
Muslin came generally into use under such flimsy conditions that it was described by some writer as costing "some 30s. per yard, and being but the shadow of a commodity when procured." India was the happy hunting-ground for muslins till Flanders and Germany took up its cause and, in the eighteenth century, Bolton and Glasgow granted it special attention.
Elegance characterised many of the prevailing modes, which encouraged a conspicuous simplicity, when the superabundance of jewellery and most elaborate trimmings decreased to some extent, and a simple string of pearls was worn round the neck, and the studied négligé became the highest expression of coquetry. The hair was curled into ringlets, and amidst these nestled a single rose or a chaplet of pearls; and at the sides it was slightly puffed over the ears, with some support of pad or wire to secure its righteous bearing.
