broadcloth and linen, where he permitted himself selection only in the colour of his necktie and the option of the hard or the soft hat. Gone are his glories of brocade and satin and tight breeches, which revealed silk stockings and buckled shoes; banished are the lace ruffles, the nankeen, the mulberry, and the blue cloth with brass buttons; diminished are the curled heads; and frankly I regret all these as losses to the beauty as well as to the humour of social existence.
It was in the earliest days of the nineteenth century that artificial flowers began to obtain considerable popularity, and they were used in the hair and on the bodices and in festoons on the skirts, and on the hems of trains. After the return of Napoleon from Elba, violets were the conspicuous fashion, being regarded as an emblem of Imperialism, and no faithful follower was seen without a bunch of violets in her dress; while the ladies of royal sympathies would, in honour of Louis XVIII., decorate their gowns with eighteen tucks, and supply their cashmere shawls with vermilion borders.
Shawls, the manufacture of which had begun in England in the eighteenth century, were in great request later in the century. They were made of cashmere, in imitation of the Indian shawls, which were respectfully considered articles of luxury and importance during all the days of Queen Victoria, who chose these as wedding gifts for the brides she delighted to honour.
But I progress too fast.
After the battle of Waterloo, fashion decidedly changed, and the clinging gown, with its skimpy skirt hanging from a short belt or Empire bodice, was discarded in favour of a much-trimmed dress standing
