The most faithful and punctilious archæuologists confess that the origin of the corset must be written down to the credit or discredit of man, for they find the birth of its existence may be dated in the far antiquity, when the savage made his hunting belt of leather stiffened with bone or hard stick held with a thong of hide, and as decorative as useful, since it was adorned with shells and quills and served to hold the knife or quiver. Ovid recommends the fair ones of his day to wear those ingenious constructions which give lines to the bust and all it lacks, while Homer describes Juno as wearing a ceinture ornamented with a thousand fringes, and we are, of course, convinced of the fact that she borrowed from Venus a famous cestus wherein were all the pains and penalties of love.
The ancient Greeks and Romans sternly opposed the corset, and yet they yielded to the necessity for bands and belts to support the bust, this band being usually made of embroidered leather. There is indisputable proof that in the earliest days of civilisation there was in use a variety of contrivances for the reduction of the feminine figure, and in a most interesting chronicle I read that "Amongst the works of art discovered amongst the ruins of one of the mysterious forest cities in South America is a bas-relief representing a female figure which, in addition to a profusion of massive ornaments, wears a complicated and elaborate waist bandage, which by a system of circular and transverse folding and looping confines the waist just below the ribs to the hips." What could be more conclusive? Here is obviously the ancestress of the straight-fronted Specialité corset.
