mentioned as a trimming of some special grey pelisse which King John bestowed upon Isabella of Angoulême. Obviously the sealskin paletot and the sable cape were not amongst the possibilities of that hour, or His Majesty would not have been let off so cheaply.
A PLAIN WIMPLE.
But to the enthusiastic chronicler of fashion there was one fact of King John's reign which was pre-eminently worthy and admirable. This was the introduction of the wimple, of all attributes to feminine beauty surely the most becoming ever conceived or accomplished! It was made either in silk or linen, a covering for the neck, chin, and forehead at once disguiseful and provocative, coquettish and demure. At times the wimple was little more than an elaborated veil or kerchief, but in its most alluring form it was a separate article worn under the veil, as in a nun's dress of to-day, which, in fact, in all but colour, bears a striking resemblance to the thirteenth-century dress. Indeed Chaucer distinguishes the two when he says—
Wering a vaile insted of wimple,
As nonnes don in ther abbey.
The wimple was wrapped round the head and chin, and ladies of wealth bound it on the forehead by a golden or jewelled fillet, while their poorer sisters used plain silk. Silken wimples were forbidden to the nuns, who were then as now devoted
