well supplied with large full sleeves, were invariably cut square at the neck, and bore stomachers jewelled
A GIRDLE.
or embroidered, and beneath these were buckles, or belts or rich girdles with long pendants, like the one illustrated, which is worn round the hips and fastened in front with three clasps and tassels.
Side by side with this appears the pointed shoe of the period; made in red patterned with white, it has charms which are obtrusive if not convincing, though they served to inspire some preacher in France, more violent than holy, to denounce them as "an outrage against the Creator."
The famous Agnes Sorel had considerable influence over the fashions of her day, and she practised exaggeration with audacity: her hennin was taller than any other, her skirts were longer, and her bodices lower; and she would band her forehead and encircle her throat with the most magnificent jewels.
A POINTED SHOE.
Elizabeth of York had a fancy for veils richly jewelled at the border and arranged to form a hood and fall down either side of the face, the hair being plainly parted on her forehead. The picture on the opposite page shows her wearing a full gown of silk brocade, with a border of ermine decorating the hem of this and the sleeves, and putting in its appearance again straight across the bodice and
