"And three have killed seven."
She said: "Here is nothing but dead and killed; what shall I do?" She was puzzled at once, and felt herself perplexed. He continued:—
"I threw where I saw, and reached where I did not expect to.
I have eaten that which was born, and that which was not born.
It was cooked with words.
Two do not enter if there are not three;
But the hard passes over the soft."
When she heard this the governor's daughter could not answer. All the others were astonished likewise, and said that she must marry him. Then he told them all that had happened, and the marriage took place.24
We shall now direct our attention to a class of stories found in all lands, and which may, from one of its most important episodes, be called "The Forgotten Bride." In the ordinary version, the hero, in consequence of some imprecation, sets out in search of the heroine, who is either the daughter or in the custody of ogre or ogress. The hero, by the help of the heroine, performs difficult tasks imposed upon him by her father or mother, etc., and finally elopes with her. The pursuit of father or mother, etc., is avoided by magic obstacles raised in their way, or by transformations of the fugitives. The hero leaves his bride, to prepare his parents to receive her; but at a kiss, usually from his mother, he entirely forgets his bride until she recalls herself to his memory, and they are both united. The trait of difficult tasks performed by the hero is sometimes omitted, as well as flight with magic obstacles or transformations. All the episodes of the above story, down to the forgetting bride at mother's kiss, are found in many stories; notably in the class "True Bride," already mentioned.
A Sicilian story (Pitrè, No. 13) will best illustrate this class. It is entitled:
